Gilles Deleuze versus Process Philosophy

Every major philosopher refines and revises their initial theories in their later works. After all, philosophies do not simply spring forth from the mind in their final form. Yet it is far less common to see a philosopher break from their initial position and create a second and truly distinct body of work. Famous examples of such intellectual conversions include Martin Heidegger making his Kehre and Ludwig Wittgenstein dethroning his own Tractatus Logico-Philosophicus. In Against Continuity, I argue that Gilles Deleuze is another such philosopher.

This is far from an orthodox position. Decades of Deleuze scholarship have mostly assumed that a single metaphysics underlies his impressive array of studies, theories and concepts. (A minority of scholars holds that Deleuze does not have a metaphysics at all, but that is a story for another time).

Difference and Repetition is often seen as Deleuze’s masterpiece. This has caused many to read his later works as if they keep building on its metaphysics, refining it with new intricacies and making it the background theory to more politicised writings. In it, Deleuze argues that our everyday experience of entities as being self-identical and discontinuous is illusory. Your bike, house, body, cat and favourite book may strike you as distinct and separate individuals. But such individuals are not what really exists.

According to ‘young’ Deleuze (who was 43 years old when Difference and Repetition was published in 1968), what truly exists are not discrete things but dynamic processes. Deleuze does not locate these processes at a ‘micro’ level of reality, for example among subatomic particles or genes. He locates these processes in a ‘virtual realm’ that is different in kind from everything in space and time – particles and genes included. Reality ultimately is this virtual realm; a roiling ocean of pure processes that constantly mingle and clash. Our experiences of discrete things in space and time are nothing but distorted and inefficacious expressions of that virtual dimension.

Deleuze’s Difference and Repetition-era metaphysics located processes in a virtual realm

But it turns out the metaphysics of Difference and Repetition only applies to Difference and Repetition. In a preface to The Logic of Sense as well as elsewhere, Deleuze explicitly states that he abandoned his virtual realm theory, noting that he came to see it as an ‘archaic’ philosophy. Believe me when I say that Deleuze does not mean that word as a compliment to himself. Starting from The Logic of Sense, all subsequent works are rooted in a second – and hitherto overlooked – ontology that is incommensurable with Deleuze’s initial position.

In other words: one of the most important continental philosophies is actually two philosophies.

So, what happened? To put it briefly, any philosophy that tries to explain the vast diversity of reality from a single privileged dimension sooner or later turns out to be inconsistent. This is as true for pre-Socratic reductions of reality to primordial elements as it is for contemporary reductions of reality to subatomic fields. The classic problems remain. Why would a primordial layer of reality ever start generating derivative or illusory versions of itself? And how could such new productions ever manifest properties that their parent entities seem to lack?

Deleuze initially thought that he had solved such problems by showing that the processes populating his virtual realm could be self-differentiating: their very being would be to become what they were originally not. Unfortunately, the notion of a realm full of a self-differentiating processes did not stand up to scrutiny. It turned out that you cannot overcome the age-old problems of good old static monism by turning it into a hyper-agitated monism.

In The Logic of Sense and later works, Deleuze introduces and subsequently refines a second philosophy that no longer explains reality in terms of a virtual realm. Instead, its key tenet is that entities as such – from atoms to cars, festivals to thoughts, and planets to microbes – are all there is to reality. Deleuze varyingly refers to entities as ‘machines’, ‘multiplicities’ or ‘assemblages’. He now insists that these are the ‘minimum real unit’ of reality, as he puts it in Dialogues.

Machines are the minimum real unit of reality for Deleuze from the Logic of Sense

This is quite a dramatic change! All of a sudden, there is no longer some ‘more real’ dimension hiding behind the curtain of ordinary reality. Instead, all possible entities at all possible scales are endowed with full being. It is now entities among themselves who are the true movers and shakers of reality. They are no longer dissolved into amorphous processes but instead take full responsibility for everything that transpires.

It is in this second phase of his thought that we must locate Deleuze’s real philosophical genius. His ‘machine philosophy’ demonstrates that any entity whatsoever has an intricate ontological structure that makes every form of reduction superfluous. This makes Deleuze’s mature philosophy one of the strongest bulwarks against those who reduce planets to particles and humans to genes – but also against his earlier theory that reduced everything to the turbulence of anonymous processes.

Photograph of Arjen Kleinherenbrink

Arjen Kleinherenbrink is Assistant Professor in metaphysics and philosophical anthropology at the Center for Contemporary European Philosophy of the Radboud University in Nijmegen, the Netherlands.

Cover image for Against Continuity: Gilles Deleuze's Speculative Realism by Arjen Kleinherenbrink
Against Continuity

Against Continuity: Gilles Deleuze’s Speculative Realism is the first book to demonstrate that the beating heart of Gilles Deleuze’s philosophy is a systematic ontology of irreducible, singular entities. This requires a radical break with decades of Deleuzian orthodoxy, according to which Deleuze’s metaphysics revolves around the dissolution of discrete entities into a continuous world of flows and events.

Image Credits
‘2013_2_9_23_14_66519’ by Justin Lincoln, via Flickr (CC BY-SA 2.0)
‘Black Country Living Museum – Lench’s Oliver Shop – objects and items – cogs and gears’ by Elliott Brown, via Flickr (CC BY-SA 2.0)

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