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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.

Interview with Maggie Humm
Maggie Humm reflects on feminist criticism, life-writing, and Virginia Woolf’s influence.

What is extra in the ordinary, and why is the intimate often strange?
Eret Talviste explores Virginia Woolf and Jean Rhys through scenes of solitude and ordinary freedom.

Reading Mrs Dalloway
Explore how Marion Milner’s psychoanalytic reading of Mrs Dalloway reveals themes of motherhood, desire, and the transformative act of reading in modernist literature.

Q&A with the author of Reading Portrait Photographs in Proust, Kafka and Woolf: Modernism, Media and Emotion
Reading Portrait Photographs in Proust, Kafka and Woolf studies a specific motif in modernist literature: the act of looking at portrait photographs.

Q&A with Beth Rigel Daugherty
Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf

What did Virginia Woolf really think about Holy Week and Easter? (4 of 4)
Jane de Gay discusses what Virginia Woolf really thought about Easter in a series of blog posts throughout Holy Week.

What did Virginia Woolf really think about Holy Week and Easter? (3 of 4)
Jane de Gay discusses what Virginia Woolf really thought about Easter in a series of blog posts throughout Holy Week.

What did Virginia Woolf really think about Holy Week and Easter? (2 of 4)
Jane de Gay discusses what Virginia Woolf really thought about Easter in a series of blog posts throughout Holy Week.

Finn Fordham on the Anatomy of Moments
Singing in a choir recently I was lucky enough to experience some intense moments, and less lucky in my attempts to think (again), about ‘moments’, the topic of my inaugural lecture, published in Volume 13.2 of Modernist Cultures. We were singing…


