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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Three
By Jemma Stewart Read Part 1 and Part 2 of this blog series. Rose Roses…have ever reigned as queens of flowers.[i] The rose bloomed in Ancient Egypt, as Jack Goody attests: Above all there was the hundred-petalled rose, which became…
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Two
By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched my hand … As the light came back, I gazed upon that which had been left within my hand. It…
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part One
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…