• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Romanticism Celebrates 25 Years

Written by Romanticism editor, Nicholas Roe. The 25th publishing anniversary of Romanticism offers an opportunity to reflect on the origin of the journal three decades ago. In the mid-1990s there was no UK-based journal dedicated to publishing a broad range…

Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Mauritshuis, Den Hague.

Finn Fordham on the Anatomy of Moments

Singing in a choir recently I was lucky enough to experience some intense moments, and less lucky in my attempts to think (again), about ‘moments’, the topic of my inaugural lecture, published in Volume 13.2 of Modernist Cultures. We were singing…

Wonder was eclipsed by the Sublime in paintings such as The Great Day of His Wrath

Rediscovering the Wonder of Philosophy

Wonder is largely absent as a topic of concern to contemporary philosophers. Yet ancient philosophers saw it as the source of what was distinctive in their way of thinking. Plato and Aristotle thought that it was the stirrings of wonder…

Blackwood's Edinburgh Magazine

Blackwood’s Edinburgh Magazine, 1817-2017

By Robert Morrison An extract from Romanticism, Volume 23.3, October 2017 1817 was a remarkable year for British Romanticism John Keats published his first volume of Poems. Thomas Moore produced Lalla Rookh, Percy Shelley Laon and Cythna, Felicia Hemans Modern…