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Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of Scotland
Read more: Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of ScotlandRobin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
Q&A with the author of Reading Portrait Photographs in Proust, Kafka and Woolf: Modernism, Media and Emotion
Reading Portrait Photographs in Proust, Kafka and Woolf studies a specific motif in modernist literature: the act of looking at portrait photographs.
Q&A with the author of The Ottoman Canon and the Construction of Arabic and Turkish Literatures
C. Ceyhun Arslan discusses the inspiration behind his new book, and the surprises he encountered along the way.
Filming Modernity and Islam in Colonial Egypt
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
Q&A with the editors of The Figure of the Terrorist in Literature and Visual Culture
by Maria Flood and Michael C. Frank The Figure of the Terrorist in Literature and Visual Culture editors Maria Flood and Michael C. Frank discuss what inspired their research for their new book and how the discourse around terrorism has…
The ‘Curious Cleric’ and the Highlands Before Culloden: Rev. James Fraser (1634-1709) – Q&A
by David Worthington Tell us a bit about your book. It offers a different perspective on the Highlands in the century before the Battle of Culloden in 1746, by focusing on the life-writing of a maverick, Gaelic-speaking, scholar, traveller and…
Q&A with Beth Rigel Daugherty
Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf
Why You Should Read Allan Ramsay’s ‘The Gentle Shepherd’
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?
Q&A with Amy Lather
Melissa Mueller and Lilah Grace Canevaro interview Amy Lather, author of Materiality and Aesthetics in Archaic and Classical Greek Poetry, the first book to publish in the new Ancient Cultures, New Materialism series.
Q&A – Richard Canning and Kate Levey on Brigid Brophy
Richard Canning interviews Kate Levey, Brigid Brophy's daughter, on her thoughts on mother, her writing and her influence.