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Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Read more: Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black SquareIs there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
The Absence of God and Its Contextual Significance for Hume
In our featured article this week, “The Absence of God and Its Contextual Significance for Hume”, David Fergusson of the University of Edinburgh sets Hume’s thoroughgoing religious scepticism within the context of the Scottish Enlightenment. Much of Hume scholarship today…
From the Archives – The Creation of the Concept through the Interaction of Philosophy with Science and Art
At the beginning of the book What Is Philosophy? written by Gilles Deleuze in collaboration with Felix Guattari, the authors assert that “the time has come for us to ask what philosophy is”. They explicitly dismiss any hierarchy of the…
Empiricism – An Extract from The Meillassoux Dictionary
EMPIRICISM Adrian Johnston Before addressing Meillassoux’s positioning vis-à-vis empiricism proper as an epistemological orientation in philosophy, I should say a few words about his relations with things empirical, specifically as per the empirical sciences resting upon a posteriori observation and…
Gilles Deleuze – An Extract from The Meillassoux Dictionary
DELEUZE, GILLES Jeffrey Bell Gilles Deleuze (1925–1995) is probably Meillassoux’s most important interlocutor, the philosopher who is both closest to his own concerns and yet the one with whom he most strongly disagrees. On the one hand, both Deleuze and…
Correlationism – An Extract from The Meillassoux Dictionary
CORRELATIONISM Written by Levi R. Bryant Meillassoux’s concept of correlation is arguably among his most significant and controversial contributions to philosophy. In After Finitude, he defines correlation as ‘the idea according to which we only ever have access to the…