Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…
By Julian Petley Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in this…
By Sean Cubitt Catch up with Part One of this blog post. Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further…
By Sean Cubitt Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in…
By Julian Petley and Andrew Roberts Catch up with Part One of Culture Wars, Talking Pictures and the Telegraph For Heffer, ‘the lesson of Talking Pictures is clear. It portrays the England millions of us wish we still lived in’.…
By Julian Petley and Andrew Roberts Author’s Note: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in this blog post, which…
Julie Anne Taddeo As the most watched period drama in television history, Downton Abbey has met with popular success but not always critical acclaim. Historians in particular have criticized what they see as the series’ conservative politics and nostalgic view…
By John Hill My interest in writing about the work of the film and television director Ken Russell partly derived from writing about another Ken in my book, Ken Loach: the Politics of Film and Television (2014). The two Kens…
By Kevin M. Flanagan Director Ken Russell (1927-2011) tends to evoke extreme reactions. Critics, academics, and fans lavish a few of his works with rapturous praise. His adaptation of D.H. Lawrence’s Women in Love (1969), or some of his composer…