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Who needs advice?
Read more: Who needs advice?Margaret Mullet investigates advice literature from Byzantine texts to modern self-help culture.
Marvel’s Scarlet Witch: From Page to Screen
by Miriam Kent Wanda Maximoff, known as the Scarlet Witch, is one of Marvel’s most enduring characters. Her history has spanned multiple decades and media formats. Disney+’s WandaVision recently receiving praise for its characterisation, aesthetics and settings. WandaVision inserted Scarlet…
Stars in Cars: A Look at Italian Vehicular Stardom
by Alberto Zambenedetti Sophia Loren relaxing by the side of the road, next to her broken-down Mercedes-Benz 300 SL Gullwing. Vittorio Gassman speeding through a deserted Rome in a beat-up Lancia Aurelia B24 convertible. Rossano Brazzi taking down the top…
Buddhism and Cinematic Technicity-Consciousness
By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…
New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror
by Patricia Pisters Watching horror movies Previously, I truly disliked horror films. In the late 1980s Brian de Palma’s Carrie (1976) was shown on television. I did not want to see it, but my friends and sister convinced me that…
Culture Wars, Talking Pictures and the Telegraph: Part Two
By Julian Petley and Andrew Roberts Catch up with Part One of Culture Wars, Talking Pictures and the Telegraph For Heffer, ‘the lesson of Talking Pictures is clear. It portrays the England millions of us wish we still lived in’.…
Confusion and disorientation in Edward Yang’s Terrorizers
Confusing films Watching narrative films can be one of the most engrossing aesthetic experiences possible. It can also be completely alienating – there are few things more boring than a boring film! But some films can be both engrossing and…
Visually Speaking: African American Films Past and Present (Part Five)
In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside Kathleen Collins’s “The Cruz Brothers and Miss Malloy” to consider different ways race relations are portrayed on screen. Click here…
Visually Speaking: African American Films Past and Present (Part One)
In this five-part series, Geetha Ramanathan, author of Kathleen Collins: The Black Essai Film (Edinburgh University Press, 2020), explores over a century of African American films and what they tell us about African American history both on and off screen.…
Diversity in British Film and Television
The controversy over ‘all-white’ 2020 BAFTAs once again shows the importance of understanding that issues of diversity are at the forefront of debates film and television. But it’s not just a question of who is, and is not, in the…