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EUP 75: Our Publishing in Scottish Studies
Read more: EUP 75: Our Publishing in Scottish StudiesDiscover the story of Scottish Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future
Adrian Brunel: The Systematic Jackdaw
by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a hotchpotch of items, which at first defy coherence: snapshots, letters, diaries, cuttings, contracts, scribblings on scraps of paper, legal summons…
Diversity of Digital Humanities in IJHAC
By the editors of IJHAC IJHAC: A Journal of Digital Humanities has been published since 1989, initially under the name History and Computing. It is one of the longest running journals in digital humanities. Recently, the journal broadened its thematic scope and…
Refocus: The Films Of Roberta Findlay – A Q&A With The Editors
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of Roberta Findlay is the first collection of scholarly essays on the notorious, groundbreaking, iconoclastic, controversial, talented, subversive, and often funny…
5 lesser-known examples of late-colonial French cinema
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
The Place of Breath in Cinema: 10 Years On
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible as she moves. This is because an inter-disciplinarian is identifiable by her movement, the willingness to depart from her discipline, to…
Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors Series), talks about this new volume and what led her to research Martel’s work. Can you tell us a little…
Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Downton Abbey (Michael Engler, 2019). The quick series of shots presented to the audience at…
Two More Things…Two videoessays on Columbo
by David Martin-Jones In a previous post, David Martin-Jones, author of Columbo: Paying Attention 24/7, explored the recent and enduring popularity of the cult detective show, fifty years after the first episode aired. In this follow-up, David discusses two videoessays…
The Politics of ‘Acting’: Why Cast Comedians?
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…