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Children, Charity and Magazines
Read more: Children, Charity and MagazinesA Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
A Q&A with John Price on ReFocus: The Films of William Wyler
by John Price Tell us a bit about your book ReFocus: The Films of William Wyler is a collection of critical essays, by contributors from both sides of the Atlantic, on one of the most successful and awarded directors of…
After Portraits, Petite Maman: A New Film by Céline Sciamma
by Emma Wilson Céline Sciamma: Portraits (2021) I suggested a book on Céline Sciamma for the Visionaries series after seeing her first three films, Waterlilies (2007), Tomboy (2011), and Girlhood (2014). I was moved by the sensitivity of her imaging…
Celebrating 20 Years of Spike Jonze’s ‘Being John Malkovich’
By Kim Wilkins This year marks the twentieth anniversary of Spike Jonze’s first feature film, Being John Malkovich. Until Being John Malkovich’s release in 1999, the name “Spike Jonze” was predominantly associated with music videos and skateboarding videography. Some of these…
When in Doubt, Seduce: screenwriter Allie Hagan talks about the fascinating relationship between Elaine May and Mike Nichols
By Alexandra Heller-Nicholas and Dean Brandum In late 2017, the annual “Black List” was released, a high-profile list of the most promising as yet unproduced screenplays circulating in Hollywood voted for by industry executives. This list of the top yet-to-be-made…
In Conversation with Susanne Bier
Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice caught-up with Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier, as research for their recently published book ReFocus: The Films of Susanne Bier. The full interview is…
An interview with independent filmmaker Kelly Reichardt
In the summer of 2015, Kelly Reichardt agreed to discuss career and production details with E. Dawn Hall and Allison Adams, in an effort to inform ReFocus: The Films of Kelly Reichardt and provide insight into her latest film. Phone…
Class and Feeling in the Films of Jia Zhangke
In 2008, I saw Jia Zhangke’s film Still Life, and it changed my life. I had never seen a film that had affected me so intensely and knew that, after that moment, I needed to research this director and his films further. What impacted me the most about Jia’s films were their emotional and affective qualities, and how they evoked feelings that lingered long after the films had ended.