Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
by Mario Aquilina ‘Is this the time of the essay?’ Or ‘is the essay out of time?’ ‘What is time in the essay?’ ‘What, actually, is the essay, today?’ ‘Do we, in post-literary times, keep focusing on the essay as…
by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with inclinations, a singularity that tends or aspires to the world. The singularity in its whateverness is a potentiality, but a…
By Laura McCormick Kilbride, Ruth Jackson Ravenscroft, and Simone Kotva Is reading a theological activity? This is a question which only invites further questions. How a person responds to it will reveal as much about their presuppositions and their training…
Issue 6:1 of CounterText features ‘The Fever Chart’, a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks…
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…
CounterText guest editor Norbert Bugeja shares some interesting thoughts about the special issue, Afterward/Afterword, and the important, complex questions it approaches. It is mid-May, a sunny afternoon in Bethlehem. I have arrived here from Ramallah, driving in the midday heat…
CounterText Volume 3.2 (August 2017) is a special issue entitled The Poetic, and contains a contains a wide-ranging interview with Judith Butler conducted by Aaron Aquilina (Lancaster) and Kurt Borg (Staffordshire). The following remarks, taken from near the end of…