• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Xenophon’s Anabasis in 16 Pictures

This selection of sixteen photographs together with the accompanying descriptions by Xenophon aim to provide a sense of the travel experience from the journey’s beginning at Sardis to the army’s famous sighting of the Black Sea from the mountains south of modern Trabzon.

Q&A with Amy Lather

Melissa Mueller and Lilah Grace Canevaro interview Amy Lather, author of Materiality and Aesthetics in Archaic and Classical Greek Poetry, the first book to publish in the new Ancient Cultures, New Materialism series.

Four Irish Persephones

By Virginie Trachsler The young Persephone is gathering flowers in a meadow when her uncle Hades, god of the underworld, rises through a crack in the earth and abducts her on his golden chariot. Her mother Ceres wanders the earth…

The Classical Tradition in Modern American Fiction

By Tessa Roynon In recent weeks, the U.S. Capitol in Washington D.C. has been much in the public eye. Whether stormed by President Trump’s supporters on 6th January, or as the “hallowed ground” that formed the backdrop to President Biden’s…

The wisdom of greed?

By Nicholas Baima Greed is clearly unjust, but is it foolish? In Book 1 of Plato’s Republic, Thrasymachus defends the value of injustice by arguing that it is in one’s self-interest to be greedy. Justice, he argues, is nothing more…