A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
Although he won the Nobel Prize for Literature in 1907, Rudyard Kipling’s ‘publicly pronounced racist and imperialist attitudes have’, as…
By John Stephens, General Editor In its first eight years of publication, International Research in Children’s Literature (IRCL) has established…
The problem of how philosophy is to approach the word politics is especially difficult, as it is itself a stake of political struggle and thus steeped in equivocity. The question of just who is and who is not considered political, and what objects are part or are not part of political consideration, is itself always intrinsic to politics. Philosophy thus encounters the word politics as inherently equivocal or, in Badiou’s terms, as a ‘split word’.
Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.
The concept of the ‘event’ has accumulated around it a somewhat varied stream of interventions in contemporary philosophy and literary…
How are we to assess the impact of activities (e.g. words, songs or gestures) associated with sectarianism in contemporary Scotland?…
In the August 2015 issue of Scottish Affairs, a team of researchers explore the findings of a study they carried…
Western Europe experienced the immigration of people from a Muslim background after World War II who settled in countries like…
Gilles Deleuze (1925–95) is the contemporary philosopher to whom Badiou returns more than any other. His engagement with Deleuze is however neither homogeneous nor unequivocally critical, as it is often thought to be. In short, Deleuze figures in Badiou’s work as his preeminent philosophical disputant.