-
Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Ford Madox Ford, music and the First World War

My research treats music as a crucial aspect of modernist literature, and the First World War was a crucial event…
Negotiating Theory and Practice in Television Production Hierarchy: Mumble-gate

Sunday 19th of February 2017 saw the launch of the BBC’s most recent big budget television drama SS-GB, a dystopian…
The Contemporary British Novel Since 2000

Where is the twenty-first century British novel headed? The Contemporary British Novel Since 2000 answers this question in the light…
Thanks for all the fish’ and Other Old Clichés – Part 2

By Julian Wolfreys This ‘valedictory’ editorial appears on the EUP Blog in two parts and is published in Volume 7…
OLR 40th Anniversary – Jean-François Lyotard

Welcome to February, where once again we are delving into the work of Jean-François Lyotard. A thinker and a…
Thanks for all the fish’ and Other Old Clichés – Part 1

By Julian Wolfreys This ‘valedictory’ editorial (on the significance of Victorian) appears on the EUP Blog in two parts and…
The Genesis of Alfred North Whitehead’s Philosophy

Not many people will read Whitehead’s recent book in this generation; not many will read it in any generation. But…
40 years of Oxford Literary Review

Oxford Literary Review (OLR) founded in 1977 by Ian McLeod, Ann Wordsworth and Robert J. C. Young, is now celebrating its…
An Ancient Library Full of Persia

by Jan P. Stronk Perspectives on Persia During most of the Archaic down to the Hellenistic Eras, Persia and/or the…


