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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Gaelic Satire and 18th Century Highland History
The benefit of studying Gaelic poetry in conjunction with conventional documentary sources to obtain a fuller understanding of the past…
‘I Am My Language’
In May 2017, the Israeli Knesset passed the nation-state bill in its first round. This bill emphasizes Israel being Jewish…
OLR 40th Anniversary – Jacques Derrida
Continuing our celebrations of OLR’s 40th Anniversary and its widespread impact, this month we are highlighting Jacques Derrida’s ‘Let…
Unwomanly women? Gender and technology at the end of the nineteenth century
By Lena Wånggren What is an ‘unwomanly’ woman? Or an ‘unsexed’ woman? At the end of the nineteenth century, both…
Sex and Spanish Cinema from Screen to Academia
An extract from the introduction of Spanish Erotic Cinema, edited by Santiago Fouz-Hernandez If there is something that the various…
Judging a book by its cover: designing ‘The World of Image in Islamic Philosophy’
Can the contents of an academic book be expressed by means other than words? In centuries past, it was common…
Trans Temporalities
The guest editors of the Somatechnics Special Issue, ‘Trans Temporalities‘, draw on their inspirations for the issue theme, as well…
Secularisation and religious decline in 21st-century Scotland
By Ben Clements. My Scottish Affairs research looks in detail at recent survey data on religious decline and secularisation in…
Appropriating Christian History in Fujian: Red Tourism Meets the Cross
In the early years of China’s Civil War, the Communist army and leadership sought refuge from Nationalist troops in the…