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The Warehouse of Bamiyan: Q&A with Arezou Azad
Read more: The Warehouse of Bamiyan: Q&A with Arezou AzadArezou Azad rediscovers Bamiyan’s medieval archives, revealing a diverse, literate and interconnected Islamicate society in Afghanistan.


Arezou Azad rediscovers Bamiyan’s medieval archives, revealing a diverse, literate and interconnected Islamicate society in Afghanistan.

In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside…

In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the…

In part three of this five-part series, Geetha Ramanathan explores the use of American mythology and folklore in two African…

In part two of this five-part series, Geetha Ramanathan considers the use of the “ancestral archive” to discuss gender models…

In this five-part series, Geetha Ramanathan, author of Kathleen Collins: The Black Essai Film (Edinburgh University Press, 2020), explores over…

Even before COVID-19, unprecedented levels of public and private borrowing placed debt at the centre of academic and public debates. If access to credit at this stage of the pandemic is crucial for keeping alive economies across the globe, the health crisis has further exacerbated our reliance on borrowing. Massive efforts are expected of states and central banks to support not only individual financial institutions but the financial system as a whole.

In and extended blog post, William Brown and David Fleming discuss 8 new introductions to their new book, The Squid Cinema from Hell.

William Brown and David H Fleming discuss the eight possible other introductions to their book The Squid Cinema from Hell.

Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s…