Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
Where is the twenty-first century British novel headed? The Contemporary British Novel Since 2000 answers this question in the light of three recent literary developments. The first is aesthetic: early twentieth-first century novelists are going beyond conventional realism, and in…
By Julian Wolfreys This ‘valedictory’ editorial appears on the EUP Blog in two parts and is published in Volume 7 of Victoriographies, a journal of Victorian writing in the long 19th century, 1790-1914. <Read Part One The point of this…
By Julian Wolfreys This ‘valedictory’ editorial (on the significance of Victorian) appears on the EUP Blog in two parts and is published in Victoriographies Volume 7. People soak up time like sponges. They steep themselves in it, amass it…
By Lynne Pearce Quite apart from its utility as a means of transport – or, indeed, its significance as a status-symbol – the twentieth-automobile has provided drivers and passengers with a personalised refuge and thought-space in which to touch base…
By Lynne Pearce Both in the news and among those academics whose work is concerned with transport futures there appears to be a widespread assumption that driverless cars are both inevitable and desirable. While there is, as yet, no coherent…
Thomas Jefferson maintained a flock of geese to supply him with quills for his pens. The fastest speed for a professional business-letter-writer in 1834 was 30 words in 60 seconds, with the pen travelling 16.5 feet per minute. Jourdan Anderson,…
“In its breadth of contributions by scholars and writers with a distinguished background in their respective fields, Postcolonial Springs will serve as an informed platform for debate across scholarly, political, cultural, and activist fronts. These urgencies – foremost amongst them the realities…
“What’s wrong with that bed, Joe?” — Samuel Beckett, Eh Joe (1965) There is something conspicuously odd about many of the everyday objects depicted in Samuel Beckett’s work. Items that are typically associated with the mundane, that usually sink into…
“what are the implications of [war damage] for our understanding of literary works which themselves engage with the theme of the damage inflicted by war?” Richard Price answers this as he considers how poets Guillaume Apollinaire, Wilfred Owen, Edward Thomas…