• Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.

Gertrude Stein’s Transmasculinity

By Chris Coffman The Parisian salon hosted by Gertrude Stein and Alice B. Toklas was unique among queer modernist spaces. Unlike Natalie Barney’s salon emphasizing women, femininity, and Sapphic identity or the cosmopolitan Paris of queer outcasts surveyed in ‘John’…

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CounterText Special Issue: Afterward/Afterword

CounterText guest editor Norbert Bugeja shares some interesting thoughts about the special issue, Afterward/Afterword, and the important, complex questions it approaches. It is mid-May, a sunny afternoon in Bethlehem. I have arrived here from Ramallah, driving in the midday heat…

Ben Jonson Journal Celebrates 25 Years

2018 marks the 25th anniversary of the Ben Jonson Journal. Read on and learn more about the history and impact of the journal from the editor, Richard Harp. History of the Ben Jonson Journal Richard Harp and Stanley Stewart met…

Walter Scott the “mighty minstrel” and Marmion

Walter Scott’s poetry dominated the early years of the nineteenth century but has subsequently fallen into relative obscurity. The first scholarly edition of Marmion (1808), the second of Scott’s grand historical narrative poems, has recently been published and sets out…

Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Mauritshuis, Den Hague.

Finn Fordham on the Anatomy of Moments

Singing in a choir recently I was lucky enough to experience some intense moments, and less lucky in my attempts to think (again), about ‘moments’, the topic of my inaugural lecture, published in Volume 13.2 of Modernist Cultures. We were singing…