Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.
Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.
How are we to assess the impact of activities (e.g. words, songs or gestures) associated with sectarianism in contemporary Scotland? In the increasing absence of easily attributable effects such as crimes or disorder, or blatant forms of discrimination in the…
In the August 2015 issue of Scottish Affairs, a team of researchers explore the findings of a study they carried out for the Scottish government on community experiences of sectarianism. Here, one of the authors, Kay Goodall, sets out some…
Western Europe experienced the immigration of people from a Muslim background after World War II who settled in countries like France, Britain or Germany to fill the labour shortage and made important contributions to the economic recovery of Western European…
Three years ago, Richard Macdonald and I compared Dai Vaughan (1933-2012) with two other ‘outstanding figures of his generation’, Robin Wood (1931-2009) and V F Perkins (1936-). The comparison is worth extending. Wood and Perkins are now regarded as key figures…
Three years ago, Gerry Hassan and I published a book entitled ‘The Strange Death of Labour Scotland’. We envisaged that, unless radical steps were taken, Labour’s influence in Scotland would steadily decline. Speaking personally, I did not envisage a total…
By Ieuan Franklin Where are the films being made today about ‘Austerity Britain’ that combine social realism and humour, as in The Full Monty (1997)? In my article for the Journal of British Cinema and Television last year I looked…
In 1917, Erik Satie faced a spiritual dilemma—the challenge of giving voice to death, to nothingness. The composer had begun setting fragments of Plato’s narrative account of Socrates’s final days and death. Satie wanted the music to be ‘as white…
In our featured article this week, “The Absence of God and Its Contextual Significance for Hume”, David Fergusson of the University of Edinburgh sets Hume’s thoroughgoing religious scepticism within the context of the Scottish Enlightenment. Much of Hume scholarship today…