• Landscape view of a remote house, with water in the foreground and mountains in the background.

Natalia Christofoletti Barrenha talks Lucrecia Martel

In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors Series), talks about this new volume and what led her to research Martel’s work. Can you tell us a little…

He Who Got Slapped

by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been two whole months – by today’s standards, an eternity. Even after a week, it had been thoroughly washed and rinsed…

Anniversary of the African Union: AJICL Virtual Issue

By Prof. Hajer GUELDICH Prof Hajer GUELDICH introduces our special African Journal of International and Comparative Law Virtual issue on the anniversary of the African Union. This issue is free to access on the Edinburgh University Press journals website until…

Image of Downton Abbey

Downton Abbey, Britishness and Class

by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Downton Abbey (Michael Engler, 2019). The quick series of shots presented to the audience at…

100 Years of The Scottish Historical Review

The Scottish Historical Review (SHR) is the premier journal in the field of Scottish historical studies, covering all periods of Scottish history from the early to the modern, encouraging a variety of historical approaches, with articles written by leading scholars and Scottish…

Stands Scottish Literature Where It Did? Revisiting Devolution

It’s been fifteen years since the last fat volume of essays on contemporary Scottish writing. Only a blink of historical time, but it’s been quite an eventful period. When the chapters of Berthold Schoene’s brilliant Edinburgh Companion to Contemporary Scottish Literature were being written, both the country and its debates looked rather different.