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Children, Charity and Magazines
Read more: Children, Charity and MagazinesA Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
A career in crime: Dr Eric Sandberg reflects on research in crime fiction studies
I came to crime fiction studies through the back door. Like many people, I grew up reading mysteries. Franklin W. Dixon’s Hardy Boys series was an early favourite – I coveted the small blue hardcovers with a greedy passion, and…
Beyond time travel in time travel stories and cinema with Gilles Deleuze
Trips into history. Journeys to the future. Encounters in the present with visitors from the future or past. There are no limits with time travel stories. Some of the first telly I fell in love with as a kid was…
Ghost Stories in the Post-Truth Age – A Dialogue
Diversity in British Film and Television
The controversy over ‘all-white’ 2020 BAFTAs once again shows the importance of understanding that issues of diversity are at the forefront of debates film and television. But it’s not just a question of who is, and is not, in the…
Edward Lamberti on his new book ‘Performing Ethics through Film Style: Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader’
Read on and explore the ideas behind writing Performing Ethics through Film Style book by Edward Lamberti. Levinas’s ethics in a nutshell The notion of ‘Otherness’ is other people’s differences from me and my sort of person. This can be…
Christmas hauntings
An interview with Wyatt Moss-Wellington, author of ‘Narrative Humanism’ and co-editor of ‘ReFocus: The Films of Spike Jonze’
Wyatt Moss-Wellington is Assistant Professor in Media and Communication Studies at The University of Nottingham Ningbo, China. He is the author of Narrative Humanism: Kindness and Complexity in Fiction and Film and co-editor of ReFocus: The Films of Spike Jonze,…
Philosophical Filmmaking is Alive and Well in Russia: Three Russia-Based Directors with Roots in Philosophy
Alyssa DeBlasio The Russian novel has long been synonymous with philosophical literature. These are the unwieldy and existentially thick novels that we have come to associate with Russian writing—those “large, loose, baggy monsters,” as Henry James wrote of Dostoevsky and…