Is there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
Who was Richard Owen? Richard Owen (1804–1892) is one of the most important British biologists of the nineteenth century. He made significant contributions in the field of comparative anatomy. One aspect of his scientific output continues to be overlooked, namely…
By Martin Kratz In 1978, Anthony Burgess published several translations of work by the nineteenth-century Roman poet G.G. Belli. Burgess’s longstanding engagement with Belli had culminated the previous year in the publication of ABBA ABBA (1977), a hybrid novel/literary translation.…
By Valerie Cumming and Alexandra Kim The year 2017 marks the fiftieth anniversary of Costume as a journal and we are celebrating this milestone in a number of different ways. The most obvious is that Costume‘s cover design has been…
My research treats music as a crucial aspect of modernist literature, and the First World War was a crucial event for modernist writers, profoundly changing the fabric of social life. Ford Madox Ford served on the front line and wrote…
Sunday 19th of February 2017 saw the launch of the BBC’s most recent big budget television drama SS-GB, a dystopian vision of Britain under Nazi occupation. With it, came the re-ignition of the debate surrounding mumbling actors and unintelligible dialogue…
By Julian Wolfreys This ‘valedictory’ editorial appears on the EUP Blog in two parts and is published in Volume 7 of Victoriographies, a journal of Victorian writing in the long 19th century, 1790-1914. <Read Part One The point of this…
By Julian Wolfreys This ‘valedictory’ editorial (on the significance of Victorian) appears on the EUP Blog in two parts and is published in Victoriographies Volume 7. People soak up time like sponges. They steep themselves in it, amass it…