Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Bill Angus If you have ever wondered what was really going on in the secret overhearing and tacit observations, the metadramatic inner-plays and devices which Shakespeare constantly revisits, you may have been told that he was ‘playing with the…
By Sean McEvoy William Shakespeare died four hundred years ago. We know he departed this life on 23 April 1616 because the parish register at Holy Trinity Church Stratford-upon-Avon records the fact. But we don’t have the same proof that…
By Kevin Curran, University of Lausanne What is it about Shakespeare’s writing that makes it endure? Why do his plays and poems continue to entertain, engage, and instruct more than 400 years on? I think it might have something to do with…
By Lisa Hopkins Having an associative mind is often a source of shame, but it does occasionally have benefits. Two separate moments of mental abstraction came together to help me think about the fourth acts of Shakespearean tragedies. Watching King…
The concept of the ‘event’ has accumulated around it a somewhat varied stream of interventions in contemporary philosophy and literary theory. In The Event of Style in Literature (Palgrave Macmillan, 2014) I tried to think of the event in relation…