Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
by Sophie Chiari and Anne-Marie Miller-Blaise In the following quiz, each answer is related to a particular chapter of The Ecology of Dress in Shakespeare and his Contemporaries. We hope, as a result, that this fun test will enable you…
by Marissa Greenberg and Elizabeth Williamson Perhaps the greatest challenge facing US institutions of higher education is the tension between an increasingly diverse student body and an inherently (and inherited) homogenous curriculum. “Meeting today’s students where they are” is a…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…
by Joan Lord Hall What inspired you to research eros in Shakespeare’s work? Knowing that I had taught Shakespeare for about 40 years and had authored several guides to his play, a friend provocatively asked me “Why don’t you write…
To celebrate the birth month of William Shakespeare, we have curated a special Shakespeare Virtual Issue comprising seven articles and six chapters from across our books and journals, dedicated to the Bard, his work and reception across the humanities! All…
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
Catherine Belsey and Alan Dessen discuss the complexities of creating Banquo's ghost for the stage in Macbeth.