• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Contemporary Turkey in Conflict

Contemporary Turkey in Conflict

By Tahir Abbas Turkey is a beguiling country. It straddles one of the most important geopolitical fault lines in the world. Since the dismantling of the Ottoman Empire and the founding of the republican era, however, the nation has undergone…

Cover image for A Process Philosophy of Signs by James Williams

Behind Red Doors – Signs, Process and the Political

In January 2016, a scandal broke out in the UK when the Times reported that asylum seekers’ homes could be identified by distinctive red doors, making them vulnerable to attacks. Coincidentally – but not where signs and the political are concerned – A Process Philosophy of Signs opens with an account of threatening identification on doors.

Nancy in Love

‘It is possible that one day I will no longer love you, and this possibility cannot be taken away from love – it belongs to it. It is against this possibility, but also with it, that the promise is made, the word given.’ – Jean-Luc Nancy

Varun Uberoi - author photo

Multiculturalism Isn’t a Dirty Word

David Cameron has been avoiding the m-word. In his recent speech about extremism, the word ‘multicultural’ was noticeable by its omission for two reasons. First, Cameron said that Britain was a ‘successful multiracial and multi-faith democracy’ and a term like…