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5 Dimensions of Affect in Bergson’s Philosophy
Read more: 5 Dimensions of Affect in Bergson’s PhilosophyHenri Bergson's philosophy reveals time as a continuous and interconnected melody.
5 ways to (un)teach the canon
Annelies Van Assche explores five innovative ways to challenge the dance canon and expand beyond Eurocentric narratives.
Shakespeare’s Instability
by Jeffrey Knapp The first speaker in one of Shakespeare’s earliest plays is not a prince, like Hamlet, or a lover, like Juliet, or a warrior, like Macbeth. He’s a drunken beggar. And he’s incensed that the hostess of the tavern…
Performing for Napoleon: Production Quarrels at the Paris Opéra
by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that this is where quarrels and logistic tensions often occur. In my research at the Paris Opéra, I take a look…
The Politics of ‘Acting’: Why Cast Comedians?
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…
Five Unmissable Performances from Penny Dreadful
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…