Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Jennifer Burek Pierce Place is central to John Green’s The Fault in Our Stars and to the community of readers who love his work. In both the novel and the movie versions of this story, visually distinctive places anchor…
by Elizabeth Amann & Michael Boyden 1. How did this book come about? Michael: This collected volume came out of a research network on revolutionary cultures involving the universities of Ghent, Göttingen, Groningen, and Uppsala. From the beginning, our aim was…
by Alexander Bubb It began with a case of mistaken identity. In 2016 I was growing deeply interested in The Rubaiyat of Omar Khayyam, a collection of short, pithy, epigrammatic poems translated from Persian by the Victorian man of letters…
by Daniel Cook Still revered as one of the world’s great historical novelists, Sir Walter Scott kept coming back to the supernatural, the eerie, and the macabre. Some of the novels even include extractable tales of terror: ‘The Fortunes of…
by Jürgen Pieters The painting on my new book’s cover was made by the Viennese artist Friedrich Frotzel (1898-1971). Its title – ‘The Old Bookcase’ – makes it even more appropriate. The library of comfort, as I make clear in…
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
By Stuart Gillespie I was one of the two founding editors of this journal in 1992. Anyone involved with a publication for this long will have travelled far, and when I look back over the thirty-year lifespan of Translation and…
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
