Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
If Empire is, as Neel Ahuja suggests, a “project in the Government of species”, then it stands to reason that empire writing must either...
The author of Epistolary Courtiership and Dramatic Letters explains what the story of Thomas Overbury reveals about success at the court of James VI and I.
Discover our Literature list, the heart of publishing at Edinburgh University Press, celebrating 75 years of excellence. Explore foundational works like the Edinburgh Edition of the Waverley Novels and innovative publications in Scottish literature, Modernism, Gothic Studies, Shakespeare and more, highlighting both renowned and underrepresented authors.
Reading Portrait Photographs in Proust, Kafka and Woolf studies a specific motif in modernist literature: the act of looking at portrait photographs.
by Nicola Wilson, Claire Battershill, Sophie Heywood, Marrisa Joseph, Daniela La Penna, Helen Southworth, Alice Staveley and Elizabeth Willson Gordon The Edinburgh Companion to Women in Publishing, 1900-2020 highlights the long history of women’s work as editors and publishers, designers,…
by Naomi Mottram Fans of Commedia dell’Arte know that wherever Arlecchino appears, he causes trouble. So perhaps I should have known that he would cause trouble for me… While creating my translation of Sofia Sinitskaia’s tale, Mitrofanushka Durasov, which features…
by Mario Aquilina ‘Is this the time of the essay?’ Or ‘is the essay out of time?’ ‘What is time in the essay?’ ‘What, actually, is the essay, today?’ ‘Do we, in post-literary times, keep focusing on the essay as…
by Matthew Chambers The text for this blog is taken from the Editor’s Introduction of The New Americanist Vol 2.2. The New Americanist continues a tradition of research publication at the American Studies Center (University of Warsaw)—some iteration of the…
by Chris Murray Should Europeans meditate? Carl Gustav Jung (1875-1961) said not, but William Butler Yeats (1865-1939) disagreed. To argue his opinion, each adopted Goethe’s character Faust as a paradigm for the non-Asian psyche. For much of his life, Yeats…