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Updating Roman Jakobson’s ‘Poetic Function’ with Vector Semantics
Read more: Updating Roman Jakobson’s ‘Poetic Function’ with Vector SemanticsKurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.
Queering Freud Differently: On the new special issue of Psychoanalysis and History
By Andrew DJ Shield, University of Leiden Queer Freud Today At an all-gay dinner last month, a friend – trained biologist, amateur astrologist, and psychoanalytic dilettante – shifted the dinner conversation to his playful diagnosis of the dinner guests’ stages…
Psychoanalysis in the Academy – what is the future?
In Psychoanalysis and History, some of the leading contemporary academics working with psychoanalysis across several disciplines have taken time to consider the question – What Is the Future of Psychoanalysis in the Academy? – thus giving a timely survey of the status and possibilities…
Literature and Psychoanalysis: Open Questions
A special issue of journal, Paragraph, guest edited by Elissa Marder, creatively re-imagines Shoshana Felman’s groundbreaking 1977 volume of Yale French Studies (Nos 55/56), Literature and Psychoanalysis: The Question of Reading: Otherwise, in which Felman opened up the question of…
OLR 40th Anniversary – Jacques Derrida
Continuing our celebrations of OLR’s 40th Anniversary and its widespread impact, this month we are highlighting Jacques Derrida’s ‘Let us not Forget—Psychoanalysis’. Initially presented orally as the introduction to René Major’s ‘Reason from the Unconscious’ on 16th December 1988…
OLR 40th Anniversary – Jean-François Lyotard
Welcome to February, where once again we are delving into the work of Jean-François Lyotard. A thinker and a critic, Lyotard was interested in the relationship between image and text, so it comes as no surprise that he examined…
Death Drive
Here, Matt Ffytche introduces a special issue of Psychoanalysis and History, Afterlives of the Death Drive. The death drive has proved relevant to so many different intellectual contexts in part because of the extravagance, or allusiveness of Freud’s original gesture…