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Why I read Deleuze
Read more: Why I read DeleuzeFor Ronald Bogue, A Thousand Plateaus is Gilles Deleuze's finest piece of work. In this blog, he explains why it's one-of-a-kind.
Excavating a lost classic: Interview with Le Retour director, Daniel Goldenberg
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short film directed by Daniel Goldenberg, in collaboration with the ex-paratrooper, Yann le Masson, who was responsible for cinematography, alongside Georges…
5 lesser-known examples of late-colonial French cinema
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
Barton Palmer interviews Charlie Michael about his latest book ‘French Blockbusters’
Barton Palmer, co-series editor of Traditions in World Cinema and Calhoun Lemon Professor of Literature at Clemson University, interviews Charlie Michael about the latest book to publish in the series: ‘French Blockbusters: Cultural Politics of a Transnational Cinema’. Palmer: Tell…
Screening Youth: Contemporary French and Francophone Cinema
The initial impulse for our book, Screening Youth, originated from the observation that, while the topic of youth has informed a great variety of productions over the years, little work had been done from an academic perspective to investigate this…
Spatial Film History
By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…