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Robert Burns’s Memory: A Matter of State
Read moreby Paul Malgrati Every year, on 25 January, Burns Night offers a remarkable opportunity for Scottish political parties to issue…
Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive…
Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory…
Stars in Cars: A Look at Italian Vehicular Stardom
by Alberto Zambenedetti Sophia Loren relaxing by the side of the road, next to her broken-down Mercedes-Benz 300 SL Gullwing.…
The Life and Career of Paul Leni
by Erica Tortolani and Martin Norden Silent-era film director Paul Leni was at the forefront of German filmmakers whose stylistically…
Inventing London on Blackfriars Bridge, 1896: Part Two
By Sean Cubitt Catch up with Part One of this blog post. Note from the editors of Journal of British Cinema…
Inventing London on Blackfriars Bridge, 1896: Part One
By Sean Cubitt Note from the editors of Journal of British Cinema and Television: Given the current state of culture…
Visually Speaking: African American Films Past and Present (Part Four)
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the…
Visually Speaking: African American Films Past and Present (Part Three)
In part three of this five-part series, Geetha Ramanathan explores the use of American mythology and folklore in two African…
Visually Speaking: African American Films Past and Present (Part Two)
In part two of this five-part series, Geetha Ramanathan considers the use of the “ancestral archive” to discuss gender models…