-
Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Making art is messy
by Simon Ellis Making art is messy. Artists make lots of decisions under less-than-ideal conditions without a clear understanding of how the work will turn out and how it will be felt and experienced by others. When we make artistic…
5 Reasons Why All Graduate Education Should Include the Digital Humanities
by Bailey Betik and Alexander Cors Graduate education has traditionally been the final stage of academic apprenticeship, where individuals delve deep into their chosen fields of study. It’s a time for specialization and expertise, where students engage in critical thinking…
Psychoanalysis in the Academy – what is the future?
In Psychoanalysis and History, some of the leading contemporary academics working with psychoanalysis across several disciplines have taken time to consider the question – What Is the Future of Psychoanalysis in the Academy? – thus giving a timely survey of the status and possibilities…
Huffing and Puffing but getting there: the ups and downs of historical research
By William Knox Violence is an area much neglected by Scottish historians unlike those working in other countries, such as England, Western Europe and the USA, where its study has become central to our understanding of social relations, in particular class and…