Patrick Valiquet asks why contemporary sound studies forgets the troubling moral and political aspects of Pierre Schaeffer’s experimental music research.
A woman walks across a bridge. She is looking at her mobile. She seems to be in a hurry. Close…
By Martin Kratz In 1978, Anthony Burgess published several translations of work by the nineteenth-century Roman poet G.G. Belli. Burgess’s…
By Valerie Cumming and Alexandra Kim The year 2017 marks the fiftieth anniversary of Costume as a journal and we…
Series Editor Steve Walsh interviews Olcay Sert about his book Social Interaction and L2 Classroom Discourse – a finalist for…
We’re mid-way through March and here at Edinburgh University Press we are still celebrating Women’s History Month (see Stefanie Van…
Welcome to March, where we are not only celebrating OLR’s 40th Anniversary, but also Women’s History Month. In honour…
By Stefanie Van de Peer Negotiating Dissidence: The Pioneering Women of Arab Documentary is publishing this month, and it’s a significant…
My research treats music as a crucial aspect of modernist literature, and the First World War was a crucial event…
Sunday 19th of February 2017 saw the launch of the BBC’s most recent big budget television drama SS-GB, a dystopian…