Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
by Chris Murray Should Europeans meditate? Carl Gustav Jung (1875-1961) said not, but William Butler Yeats (1865-1939) disagreed. To argue his opinion, each adopted Goethe’s character Faust as a paradigm for the non-Asian psyche. For much of his life, Yeats…
by Bob Evans In 2023, the Ben Jonson Journal celebrated its thirtieth anniversary with a special issue devoted to detailed explications of all 108 sonnets in the important Astrophil and Stella sonnet sequence composed by Sir Philip Sidney. Edinburgh University…
by Sarah Keenan It’s easy to get lost at the British Museum. The expansive central London building, set out over three floors and divided up into over 60 galleries, displays some 80,000 objects from all over the world. The British…
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings together 31 excellent international scholars. It’s the first book to comprehensively explore DeLillo’s life-long engagement with the arts – visual,…
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during the process, the most exciting part of the project and whether her research changed her worldview in this fascinating Q&A.…
by Jamie Callison Ask for a description of a mystic or a follower of mysticism, and you might be greeted with a portrait of an otherworldly recluse speaking in riddles and perhaps evincing some unusual physical symptoms like those found…
by Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly essays on Oscar winning film director Jane Campion, director of The Piano (1993) and more recently The Power of the…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…