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  • Cultural Studies
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  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

A common language and shared understanding of family violence? Corpus approaches in support of system responses to family violence

  • Language and Literature / Linguistics

by Tonya N. Stebbins and Cara Penry Williams In an age where women are increasingly active in the workforce and…

  • ByEdinburgh University Press
  • OnMay 5, 2023

Making the News – A History of Scottish Newspapers         

A stack of old newspapers
  • British History / Cultural History / Cultural Studies / History / Scottish History / Scottish Studies

by Hamish Fraser With the readership of daily newspapers at the present day falling drastically and local newspapers struggling to…

  • ByEdinburgh University Press
  • OnMay 1, 2023

Writing about the People of Iraq

A picture of Baghdad
  • Cultural History / History / Islamic and Middle Eastern Studies / World History

by Catherine Cobham and Fabio Caiani 23 March 2023 marked the twentieth anniversary of the attack on Iraq. Predictably, western…

  • ByEdinburgh University Press
  • OnApril 27, 2023

Book Celebration: The Edinburgh Companion to the Essay

  • Language and Literature / Literary Studies / Literary Theory

by Mario Aquilina and Nicole B. Wallack On 29 March 2023, two of the editors of The Edinburgh Companion to the…

  • ByEdinburgh University Press
  • OnApril 24, 2023

An Introduction to the Journal of Arabic Sociolinguistics

  • Language and Literature / Linguistics

by Reem Bassiouney When my monograph Arabic Sociolinguistics was published in 2008, it provided an overview of a growing, but…

  • ByEdinburgh University Press
  • OnApril 19, 2023

Q&A with Leandro Losada on ‘Machiavelli in the Spanish-Speaking Atlantic World’

Statue of Niccolo Machiavelli outside the Uffizi Gallery in Florence, Italy.
  • British History / Cultural History / Cultural Studies / History / Religious History / Scottish Studies

by Leandro Losada Tell us a bit about your book. Machiavelli in the Spanish-Speaking Atlantic World, 1880-1940 pursues two comparative…

  • ByEdinburgh University Press
  • OnApril 12, 2023

5 Contemporary Comedies by Working-Class Women You Need to Watch

A photo of actress Michaela Coel standing against a gold background
  • Cultural Studies / Film and TV

by Laura Minor Following the success of several working-class women who have created original comedy series in the UK, such…

  • ByEdinburgh University Press
  • OnApril 11, 2023

A Q&A with John Price on ReFocus: The Films of William Wyler

A collage of screenshots from various William Wyler movies. Moving clockwise, a black and white photo of a group of people standing in a garden, a man sitting in a chariot that is being pulled by four white horses, Audrey Hepburn and Gregory Peck look at a carved face in a stone wall, Barbra Streisand stands at the front of a boat wearing an orange coat and fur hat, and a black and white photo of a couple sitting together intimately
  • Cultural Studies / Film and TV

by John Price Tell us a bit about your book ReFocus: The Films of William Wyler is a collection of…

  • ByEdinburgh University Press
  • OnApril 7, 2023

Adrian Brunel: The Systematic Jackdaw

Black and white photo of a man dressed in a suit and tie sitting in a bath and holding a phone
  • Cultural Studies / Film and TV

by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a…

  • ByEdinburgh University Press
  • OnApril 5, 2023
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Shame in Contemporary You-Narration: Q&A with the author

A sepia-toned 18th-century printed broadside titled “TRANSPORTED FOR SEDITION.” The design features ornate borders and three oval engravings of men in period clothing holding papers. Text around the portraits names individuals convicted of sedition and sentenced to transportation (penal exile), including references to courts and dates in the early 1800s. The overall style is decorative and historical, resembling a political or legal proclamation from Britain.

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