Patrick Valiquet asks why contemporary sound studies forgets the troubling moral and political aspects of Pierre Schaeffer’s experimental music research.
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and…
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings…
by Valérie Hayaert Animated by signs that are in essence mutable, Justitia (Lady Justice) may be perceived as an allegory…
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews…
by Marco Conte and Katharina Bouchaar, Enercy1 In recent years, the increasing interest in the clean Hydrogen sector has led…
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during…
by Bailey Betik and Alexander Cors Graduate education has traditionally been the final stage of academic apprenticeship, where individuals delve…
by Jon Chun and Katherine Elkins Generative AI is a transformative force, reshaping both arts and humanities computing. Its recent…
by Lilah Grace Canevaro 1. Stone can sing You don’t notice your windows when they’re clean. You might enjoy the…