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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
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  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
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  • Interview with Maggie Humm

    Maggie Humm reflects on feminist criticism, life-writing, and Virginia Woolf’s influence.

    April 17, 2026
    Read more: Interview with Maggie Humm

5 Surprising Facts about Greta Gerwig

Two women sit on a small outdoor stage holding microphones and speaking to each other. One wears a bright pink dress and smiles while listening; the other wears a green dress and speaks into the microphone. Behind them is a large pink decorative sign, and two water bottles sit on a table between them. The setting appears to be a public talk or interview event.
  • Cultural Studies / Film and TV / Gender Studies

Did you know these facts about the Barbie (2023) director?

  • ByEdinburgh University Press
  • OnMarch 23, 2026

Borderland horror: Q&A with Anna Marta Marini

Barbed wire and razor wire coiled along the top of a tall metal security fence silhouetted against a dusk sky with the moon visible in the background.
  • Cultural Studies / Film and TV

Q&A with Anna Marta Marini, author of The US-Mexico Borderlands in Contemporary Horror. Crossing the Boundary

  • ByEdinburgh University Press
  • OnMarch 17, 2026

Q&A with the author of Artificial Fiction: Imagining Literary Possibility Beyond the Human

  • Literary Studies

A Q&A with the author of Artificial Fiction on the idea of AI-created storytelling, and how nonhuman narratives reshape literary theory.

  • ByEdinburgh University Press
  • OnMarch 16, 2026

6 things worth knowing about Jews and Muslims in the Maghreb

  • Cultural Studies / Islamic and Middle Eastern Studies / Religious History

Marta Domínguez Díaz explores the intertwined lives of Iberian Muslims and Jews exiled to the Maghrib.

  • ByEdinburgh University Press
  • OnMarch 13, 2026

5 Dimensions of Affect in Bergson’s Philosophy

A figure of a woman standing by the shore suggesting an encounter with affective forces
  • Philosophy / Politics, Philosophy and Religion

Henri Bergson's philosophy reveals time as a continuous and interconnected melody.

  • ByEdinburgh University Press
  • OnMarch 11, 2026

Femininity as ‘it’: Sexual Normativity within Schizoanalysis

  • Deleuzian Philosophy / Philosophy / Politics, Philosophy and Religion

Georgia Gibbs asks if schizoanalytic de-subjectification can contribute towards a feminist account of sexual normativity.

  • ByEdinburgh University Press
  • OnMarch 4, 2026

Common Sense: Between Democratic Promise and Political Peril

  • Philosophy / Political Philosophy / Politics, Philosophy and Religion

Thomas Telios considers common sense as a contested and performative concept shaping democratic discourse and political exclusion.

  • ByEdinburgh University Press
  • OnMarch 2, 2026

1980s video memories with Peter Turner

Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.
  • Cultural Studies / Film and TV

Q&A with the author of 'Unsuitable Film and Video Audiences: Underage Viewing Memories and Practices in 1980s United Kingdom'

  • ByEdinburgh University Press
  • OnFebruary 26, 2026

What do hundreds of documentaries on genocide say about perpetrators?

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.
  • Cultural Studies / Film and TV

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest

  • ByEdinburgh University Press
  • OnFebruary 24, 2026
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