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‘Beware of the ninnies!’ – Thoughts on ballet history
Read more: ‘Beware of the ninnies!’ – Thoughts on ballet historySebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
Event Catch-up: Vanessa Lemm in Conversation
We were delighted to host a fascinating online conversation with Vanessa Lemm about her book, Homo Natura: Nietzsche, Philosophical Anthropology and…
COVID, Class and Digital Labour in the Neoliberal World
by John Michael Roberts It is generally agreed that the crisis surrounding the COVID-19 pandemic has significantly changed society in…
Why You Should Read Allan Ramsay’s ‘The Gentle Shepherd’
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?
How I came to make an edition of an imaginary musical text
Allan Ramsay and his 1720s Edinburgh adventure in ballad opera
What are Tribes? Do They Still Matter?
by Scott Weiner What is a tribe? Social scientists have long been interested in tribes, but political science has struggled…
Scottish Diaspora Virtual Issue
Our Scottish Studies Scottish Diaspora Virtual Issue has just launched, and features almost 30 journal articles and book chapters from…
Q&A with Amy Lather
Melissa Mueller and Lilah Grace Canevaro interview Amy Lather, author of Materiality and Aesthetics in Archaic and Classical Greek Poetry, the first book to publish in the new Ancient Cultures, New Materialism series.
“A floating charge” – A Conversation with Jonny Hardman and Alisdair MacPherson
by Jonathan Hardman and Alisdair MacPherson This Q&A with Jonny Hardman and Alisdair MacPherson introduces their new edited collection for EUP…
Ben Jonson on the Internet
Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”: