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Children, Charity and Magazines
Read more: Children, Charity and MagazinesA Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
A New Age of Whitehead Scholarship
At the end of his first year of what would turn out to be thirteen years teaching at Harvard, Alfred North Whitehead wrote a letter to his eldest son, North, in which he discussed how he felt about teaching his…
Beyond time travel in time travel stories and cinema with Gilles Deleuze
Trips into history. Journeys to the future. Encounters in the present with visitors from the future or past. There are no limits with time travel stories. Some of the first telly I fell in love with as a kid was…
Aristotle and gender: form vs matter?
Even as strides toward gender equality have been made in the last century, the notion that gender is a binary divided between those who determine the social world – men – and those who need to be determined – women…
God in Aristotle’s Ethics
By Tom Angier Does ethics need religion? Do we need to believe in God to be good? These are standard questions in moral philosophy. Strangely, however, they are not asked about (arguably) the greatest philosopher in the Western tradition: namely,…
Sublime goals? Sport and the egalitarian sublime
Obscure no more: Brexit and the Nobile Officium
A forgotten rivalry in the Caucasus: 30 years of Armenian–Azerbaijani conflict
An interview with Wyatt Moss-Wellington, author of ‘Narrative Humanism’ and co-editor of ‘ReFocus: The Films of Spike Jonze’
Wyatt Moss-Wellington is Assistant Professor in Media and Communication Studies at The University of Nottingham Ningbo, China. He is the author of Narrative Humanism: Kindness and Complexity in Fiction and Film and co-editor of ReFocus: The Films of Spike Jonze,…
Philosophical Filmmaking is Alive and Well in Russia: Three Russia-Based Directors with Roots in Philosophy
Alyssa DeBlasio The Russian novel has long been synonymous with philosophical literature. These are the unwieldy and existentially thick novels that we have come to associate with Russian writing—those “large, loose, baggy monsters,” as Henry James wrote of Dostoevsky and…