Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.
by William E. B. Sherman O you mangled souls: fear the sigh of the dervish.It’s a sigh exhaled by passioned love for Godthat burns the mountains to ash like straw.…If you see with the eye of your heart,everywhere will you…
It’s been fifteen years since the last fat volume of essays on contemporary Scottish writing. Only a blink of historical time, but it’s been quite an eventful period. When the chapters of Berthold Schoene’s brilliant Edinburgh Companion to Contemporary Scottish Literature were being written, both the country and its debates looked rather different.
Bill Angus tells us five things you (probably) didn't know about crossroads.
Q. Tell us a bit about your book A. Cormac McCarthy, Philosophy and the Physics of the Damned is really a book about the importance of philosophy for literature. In it, I look at how one writer uses philosophy to…
"The gift—what we call “the gift” and “giving”—appears to have at least two distinct functions, and one would be hard pressed to decide between them."
by Douglas Kerr There are dozens of biographies of Arthur Conan Doyle, the creator of Sherlock Holmes and one of the most popular storytellers in English. But his own account of his life, Memories and Adventures, published in 1924, is…
by Xiaofei Shi and Labao Wang Does Chinese children’s literature have a prehistory? While it is presumptuous to date the history of Chinese children’s literature all the way back to the Eastern Jin Dynasty (317–420) when the tale ‘Li Ji’…
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…