by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that […]
By Thomas Leitch Mystery and detective stories have always been my comfort-food reading. From the time I was weaned away from Nancy Drew and the Hardy Boys to Arthur Conan Doyle and Agatha Christie in the eighth grade, I’ve never…
Issue 6:1 of CounterText features ‘The Fever Chart’, a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks…
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…
Irish University Review, the leading journal dedicated to Irish literary criticism, turns 50 this year, and to celebrate, we have launched a virtual issue that is available to read for free online until the end of the year. Articles have…
By Heike Henderson What can contemporary techno thrillers tell us about possible future developments in the areas of surveillance, data mining and predictive technology? In my article for the newly launched journal Crime Fiction Studies, I analyse how bestsellers by…
I came to crime fiction studies through the back door. Like many people, I grew up reading mysteries. Franklin W. Dixon’s Hardy Boys series was an early favourite – I coveted the small blue hardcovers with a greedy passion, and…
Once known primarily as the author of ‘twee’ children’s books about fastidious mice and naughty rabbits, Beatrix Potter has gained recognition in recent years for her wide-ranging accomplishments as a conservationist, mycologist and scientific illustrator. In the 1890s, before embarking…
