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Feeling the Rainbow: LGBT Rights and Reforms
Read more: Feeling the Rainbow: LGBT Rights and Reformsby Senthorun Raj Do I feel proud? This was a question I reflected on recently while gathered with several sweaty […]

About William S. Burroughs
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…

The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Three
By Jemma Stewart Read Part 1 and Part 2 of this blog series. Rose Roses…have ever reigned as queens of flowers.[i] The rose bloomed in Ancient Egypt, as Jack Goody attests: Above all there was the hundred-petalled rose, which became…

The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Two
By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched my hand … As the light came back, I gazed upon that which had been left within my hand. It…

The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part One
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…

What Is the Point of Literary Criticism?
Anglophone literary criticism has over the last decade engaged in a searching analysis and critique of its own methods. Perhaps surprisingly, much of that debate has considered *how* one should engage in literary interpretation—whether one should read closely or from a distance, interpret in a paranoid or reparative way, emphasize the work’s surface or depth, engage in “critique” or some other mode of attachment—and rather less *why*. But we might benefit from asking that question more openly: what, after all, is the point of literary criticism? Why does this practice merit the sustained intellectual energy so many scholars have devoted to it?

John Kinsella’s ‘The Fever Chart’, out now in CounterText 6:1
Issue 6:1 of CounterText features ‘The Fever Chart’, a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks…

CounterText is five years old
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…

Irish University Review turns 50!
Irish University Review, the leading journal dedicated to Irish literary criticism, turns 50 this year, and to celebrate, we have launched a virtual issue that is available to read for free online until the end of the year. Articles have…

Free EUP content this month: September 2019
Read on to find out about the latest research content you can access and read for free this month, from journal articles, to free sample chapters and open access books spanning across a range of our core subject areas. Film,…