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Interview with Maggie Humm
Read more: Interview with Maggie HummMaggie Humm reflects on feminist criticism, life-writing, and Virginia Woolf’s influence.
Shakespeare, the Reformation and the Interpreting Self: Q&A with the author
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…
James Joyce and the two McCarthys
by Derek Attridge There are two names in the subtitle of my book Forms of Modern Fiction: Reading the Novel from James Joyce to Tom McCarthy. One of these is less well-known than the other; in fact, for many readers,…
Abstraction for all? Thoughts from the author of Abstraction in Modernism and Modernity
by Jeff Wallace When you’ve written something exploratory, it can take a little while to work out what it is that you’ve done. This blog about my new book Abstraction in Modernism and Modernity: Human and Inhuman is written from…
Beckett and Embodiment: Body, Space and Agency – Q&A with the author
by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of the human body across Samuel Beckett’s work. Such attention to the body and the varied forms it takes—often integrated with…
Book Celebration: The Edinburgh Companion to the Essay
by Mario Aquilina and Nicole B. Wallack On 29 March 2023, two of the editors of The Edinburgh Companion to the Essay, Mario Aquilina (The University of Malta) and Nicole B. Wallack (English and Comparative Literature, Columbia University) led a roundtable with…
Digital Humanities research in Africa
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with a global trend, where digitization is increasingly present at the intersection of knowledge and society. This race is taking place…
Why You Should Read Allan Ramsay’s ‘The Gentle Shepherd’
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?
How I came to make an edition of an imaginary musical text
Allan Ramsay and his 1720s Edinburgh adventure in ballad opera
Impress Me With Your Books: A Peek Into My Chapter in The Edinburgh History of Reading
by Nicole Gonzalez Lovely balance Andrew Neil. The open neck and rolled up sleeves tell us this is a relaxed, informal Andrew but the books remind us he is never really off the clock. It’s like Magnus Carlsen playing Ludo.…