• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Inventing London on Blackfriars Bridge, 1896: Part Two

By Sean Cubitt Catch up with Part One of this blog post. Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further…

Inventing London on Blackfriars Bridge, 1896: Part One

By Sean Cubitt Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in…

Covenants and Covenanting

By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…

About William S. Burroughs

By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…