How is Ireland’s housing crisis shaping Irish art today? Sarah Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts.
by Matthew Chambers The text for this blog is taken from the Editor’s Introduction of The New Americanist Vol 2.2. The New Americanist continues a tradition of research publication at the American Studies Center (University of Warsaw)—some iteration of the…
by Simon Ellis Making art is messy. Artists make lots of decisions under less-than-ideal conditions without a clear understanding of how the work will turn out and how it will be felt and experienced by others. When we make artistic…
by Sarah Keenan It’s easy to get lost at the British Museum. The expansive central London building, set out over three floors and divided up into over 60 galleries, displays some 80,000 objects from all over the world. The British…
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
by Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised her most during the writing process. Tell us a bit about your book With my latest book Exotic Cinema, I…
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
by Valérie Hayaert Animated by signs that are in essence mutable, Justitia (Lady Justice) may be perceived as an allegory in motion. Scholars who pretend to master the intricacies of this “science of images” (iconology) forget an important fact: allegories…
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during the process, the most exciting part of the project and whether her research changed her worldview in this fascinating Q&A.…