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‘A Place in the Homeland? Turkish-German Return Migration’: Q&A with the authors
Read more: ‘A Place in the Homeland? Turkish-German Return Migration’: Q&A with the authorsNilay Kılınç and Russell King discuss the making of their book on second-generation Turkish-German return migration

Writing Dancing and the Stance
by ‘Funmi Adewole Elliott Over the years I have carried out several research projects as a practitioner, at times with funding from organisations like the Arts Council and Chisenhale Dance Space or with support from The Space at Clarence Mews.…

Planning the perfect Oscars look with the Red Carpet Doctor
by Elizabeth Castaldo Lundén The Oscars are awards season’s final show and the mothership that paved the way for all other awards ceremonies. Therefore, one must reserve the best look to capitalize on the build-up. But what makes an Oscars…

EUP 75: Our Publishing in Islamic and Middle Eastern Studies
Discover the story of Islamic and Middle Eastern Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future.

A Conversation on the Nature of Practice in Hip-Hop
Creativity, Skill, Integrity, Intelligence and Community

Q&A with the author of ‘Historical Media Memories of the Rwandan Genocide’
by Tommy Gustafsson Author Tommy Gustafsson discusses what inspired his research for his new book, Historical Media Memories of the Rwandan Genocide, and what most surprised him during the writing process. Tell us a bit about your book. Historical Media…

A Celebratory Issue of ‘The New Americanist’
by Matthew Chambers The text for this blog is taken from the Editor’s Introduction of The New Americanist Vol 2.2. The New Americanist continues a tradition of research publication at the American Studies Center (University of Warsaw)—some iteration of the…

Making art is messy
by Simon Ellis Making art is messy. Artists make lots of decisions under less-than-ideal conditions without a clear understanding of how the work will turn out and how it will be felt and experienced by others. When we make artistic…

Lost Property at the British Museum
by Sarah Keenan It’s easy to get lost at the British Museum. The expansive central London building, set out over three floors and divided up into over 60 galleries, displays some 80,000 objects from all over the world. The British…

Ridley Scott’s Napoleon: From Uniformed Soldier to Costumed Emperor
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…