by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that […]
by Mitchell Allen Bill outlined his vision for our book almost half a century ago as we sat at the foldup dinner table in a domed room of the compound of Hajji Nafaz Khan, ruler of the village Khwaja ‘Ali…
By Elizabeth Marteijn Recent tragedies in the Middle East brought more attention to Christians living in the region. Events such as a series of popular uprisings (‘Arab Spring’) and humanitarian disasters in countries such as Syria and Iraq, have made…
In this interview, Ned Curthoys and Isabelle Hesse, editors of Literary Representations of the Palestine/Israel Conflict After the Second Intifada, discuss their new book. Tell us a bit about your book. Our edited collection Literary Representations of the Palestine/Israel Conflict…
by Tom Ue Continued from Part 1 Your integration of The Taming of the Shrew when describing Rhoda and Everard is so clever, but have you thought about reading—as Gissing does—Widdowson’s and Monica’s story in terms of Othello? Yes, I…
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to insure his life for a thousand pounds. Things are looking up for the family. “[P]rofessional prospects,” he assures his eldest…
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the Screen, it was the best part of nine years. The book’s origins extend back to the summer of 2013, when…
by Patricia Macdonald This is the second of a series of blogs featuring themes and participants from the book Surveying the Anthropocene: Environment and photography now, edited by Patricia Macdonald (for an introduction to the book, see Q & A…
