Nilay Kılınç and Russell King discuss the making of their book on second-generation Turkish-German return migration
By Dr Ingrid E. Mida In April 2018, I was invited by artist Sarah Casey, as part of a collaborative project partially funded by the British Council and Arts Council England, to don my dress detective hat and study the…
In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside Kathleen Collins’s “The Cruz Brothers and Miss Malloy” to consider different ways race relations are portrayed on screen. Click here…
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…
In part three of this five-part series, Geetha Ramanathan explores the use of American mythology and folklore in two African American films. Click here to read part one of the series. The great mythology of the US is written on…
In part two of this five-part series, Geetha Ramanathan considers the use of the “ancestral archive” to discuss gender models and sexuality in African American films. Click here to read part one of this series. Artists from the US, the…
In this five-part series, Geetha Ramanathan, author of Kathleen Collins: The Black Essai Film (Edinburgh University Press, 2020), explores over a century of African American films and what they tell us about African American history both on and off screen.…
In and extended blog post, William Brown and David Fleming discuss 8 new introductions to their new book, The Squid Cinema from Hell.
William Brown and David H Fleming discuss the eight possible other introductions to their book The Squid Cinema from Hell.
Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s time and place, but it is driven by the obsession engendered in the writer by the subject. This has been…