• Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.
Screenshot from Brandon Cronenberg’s Possessor (2020)

10 Beats of The Pulse in Cinema

By Sharon Jane Mee and Bill Hunt [Content Note: This post contains shots from films depicting blood and gore] One of the things that became apparent to me as I was writing my book, The Pulse in Cinema: The Aesthetics…

Georgian Glasgow: Five Sites of a Forgotten Time

By Craig Lamont The Cultural Memory of Georgian Glasgow is the first book-length study of a long-neglected period in the history of Scotland’s largest city. It covers topics such as the Scottish Enlightenment and Empire, including the slave trade, revealing…

detail of La Passionara

The Scots at Jarama

By Fraser Raeburn On this day 84 years ago, Scottish soldiers went into battle. For most of them, it was for the very first time – and for many, it would also be their last. Throughout modern Scottish history, this…

Remembering the history of Scottish land reform

By Ewen Cameron I was delighted to publish Freshness, Freedom, and Peace?: Land Settlement in Scotland after the Great War  in Northern Scotland, 2nd series, 11.2 (2020), 161–75. This was a special issue arising from a stimulating conference held at…

Ludovic McLellan Mann: Glasgow’s original media influencer

By Kenny Brophy Decades before Instagram, YouTube, TikTok, and Twitter, to be an influencer involved analogue methods, persistence, and very, very hard work. Research over the last few years into the eccentric Glasgow-based amateur archaeologist, antiquarian and insurance broker, Ludovic…

Buddhism and Cinematic Technicity-Consciousness

By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…