somatechnics monsters

Promises of Monsters

By Donna McCormack, School of Literature and Languages, University of Surrey The Monster Network has been busy doing collective work and is happy to announce the publication of a special issue of the journal Somatechnics on “Promises, Monsters, Methodologies: The…

Genre, Authorship and Contemporary Women Filmmakers

Women’s Cinema as Genre Cinema

An extract from the introduction of Genre, Authorship and Contemporary Women Filmmakers By Katarzyna Paszkiewicz   I don’t think I’ve read the words women and film and feminism in the same sentence as much in the last few months since…

The Long March of Feminism

By Catherine Riley and Lynne Pearce We were completing the edits on Feminism and Women’s Writing: An Introduction at the end of 2017 when something seismic, something transformational, began to happen. The exposure of Harvey Weinstein’s long history of sexual assault,…

Shining the spotlight on British cinema’s female stars

Britain has long had a contradictory relationship to movie stardom, as two articles from the fan magazine Picturegoer, both by the same writer, both from 1943, eloquently demonstrate. In October, Lionel Collier had asked hopefully ‘are we making our own…

Trans Temporalities

The guest editors of the Somatechnics Special Issue, ‘Trans Temporalities‘, draw on their inspirations for the issue theme, as well as highlighting experiences of gender nonnormative subjects and the significance of time, discourse and materiality in understanding the [complicated] lives…

Women’s History Month

We’re mid-way through March and here at Edinburgh University Press we are still celebrating Women’s History Month (see Stefanie Van de Peer’s blog about International Women’s Day as well as our various Tweets @EdinburghUP). To continue our celebration and promotion…