Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched my hand … As the light came back, I gazed upon that which had been left within my hand. It…
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…
Read on to catch a glimpse of one of the chapters from Love Across the Atlantic: US-UK Romance in Popular Culture, edited by Barbara Jane Brickman, Deborah Jermyn and Theodore Louis Trost. Earlier this year, Meghan Markle and Prince Harry…
The controversy over ‘all-white’ 2020 BAFTAs once again shows the importance of understanding that issues of diversity are at the forefront of debates film and television. But it’s not just a question of who is, and is not, in the…
Even as strides toward gender equality have been made in the last century, the notion that gender is a binary divided between those who determine the social world – men – and those who need to be determined – women…
When considering the definition of Scottish fashion and what constitutes the Scottish fashion industry, most of us probably think immediately of traditional textiles. Indeed, when searching for information on “Scottish fashion” using Google I am immediately met with the websites…
The New Biographical Dictionary of Scottish Women contains the life stories of more than 1,000 women who shaped Scotland’s history. With fascinating lives on every page, the concise entries illustrate the lives of Scottish women from the distant past to…
Tell us a bit about your book Queens, Eunuchs and Concubines in Islamic History, 661–1257 is the first comprehensive study of sexual politics in medieval Islamic history. While there are several books written on the Ottomans and Safavids, we do…
In 1998, the celebrated lesbian film scholar B. Ruby Rich wrote: ‘I don’t want to make the mistake of falling into that comfortable old victim box, complaining of absence in the midst of presence. We’re not invisible anymore’ (58). In…