The Waxworks cast and crew relax with friends and colleagues on the film's carousel set. Paul Leni is seated fourth from left, facing the camera. From L-R: Wilhelm (William) Dieterle, Ali Hubert, E. A. Dupont, Leni, Fritz Maurischat, John Gottowt, Lore Sello, Leo Birinski. (Image: Wikimedia Commons)

The Life and Career of Paul Leni

by Erica Tortolani and Martin Norden Silent-era film director Paul Leni was at the forefront of German filmmakers whose stylistically daring and narratively innovative productions garnered international acclaim and who found themselves heavily recruited by Hollywood studios during the 1920s.…

Screenshot from Brandon Cronenberg’s Possessor (2020)

10 Beats of The Pulse in Cinema

By Sharon Jane Mee and Bill Hunt [Content Note: This post contains shots from films depicting blood and gore] One of the things that became apparent to me as I was writing my book, The Pulse in Cinema: The Aesthetics…

Buddhism and Cinematic Technicity-Consciousness

By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…

Inventing London on Blackfriars Bridge, 1896: Part Two

By Sean Cubitt Catch up with Part One of this blog post. Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further…

Inventing London on Blackfriars Bridge, 1896: Part One

By Sean Cubitt Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in…